Listen to restart. : https://labsix.lnk.to/restart Video by: https://www.instagram.com/1amsaint/ Track by: https://www.instagram.com/paobeats/ Sung by: https://www.instagram.com/itsmamibabyy/ Studio: Johnny Ma’s Special thanks to everyone who was involved in this shoot! ---------- Follow MAMI https://www.instagram.com/itsmamibabyy/ https://linktr.ee/itsmamibaby Follow PAO https://solo.to/pao https://www.instagram.com/paobeats/

Subscribe: @giannicapri INSTA: @giannisongs VIDEO CREDITS: Directors: Toby Bajrovic & Rakim Kaldas DP: Elliot Nieves Grip & Gaffer: Alex Gibbs & Mack Taylor Motion GFX: Mitchell Charman Key Art Design: Alex Aitken Editors: Toby Bajrovic & Rakim Kaldas Starring: Jordyn Gallop, Gianni Corvaia & Robert Corvaia Special Thanks: Johnny Ma Studios SONG CREDITS: Performer: Gianni Capri Writer/Producer: Gianni Corvaia Mixing Engineer: Gianni Corvaia & Simon Cohen Mastering Engineer: Leon Zervos Guitarist: Dom Papa LYRICS: Lately, you’ve been asking for my time But time is money baby Say you want me just for something on the side Girl you must be crazy I know you long for comfort But don’t get too close (don’t get too close) Cos you won’t be getting nothing The answer’s no, no Don’t call me after midnight I won’t pick up the phone You only seem to want me when you end up alone And you might need to find another guy When I don’t reply (I don’t reply) (You keep calling) You’ve been heading out like every night (But I ain’t falling) One week after the next week (Now you’re drinking) A few drinks in I start to cross your mind (You’re not thinking)I know because you text me I guess haven’t met a guy like me before Ain’t afraid to turn down a girl or four I ain’t desperate and lonely Looking for only one night stands I guess you’re gonna have to find somebody else Or maybe take a little time work on yourself You just do you Or do someone new I’ll understand... Ba ba da ba ba da ba ba Ba ba ba ba Ba ba da ba ba da Ba ba da ba ba da ba ba Ba ba ba ba Ba ba da ba ba da [GUITAR SOLO] I love fade aways So I’mma fade away Haha yeah Now I’m really soft Yeah I’m really soft Can you still hear me now? Can you still hear me?

SUPREME - PROJECT BEXX Directed by: Jim Bob Shot by: Jim Bob + Luke Smoker __________________ Production/ Vocals/ Writing: PROJECT BEXX Mix/ Master: Gareth Thompson _______________________________ LYRICS: Here we go, another round, You know I am the Queen Baddest bitch in all the land, And I will reign supreme. Here we go, another round, You know I am the Queen Baddest bitch in all the land, The best you’ve ever seen. Maybe if you smiled a little more then you’d be cute Maybe if you laughed a little softer it would suit Maybe if you talked a little less that would be beaut But “Babe, you’re perfect, I like you for you…” Here we go, another round, You know I am the Queen Baddest bitch in all the land, And I will reign supreme. Here we go, another round, You know I am the Queen Baddest bitch in all the land, The best you’ve ever seen. Have you heard about this girl, she thinks she really tough But I don’t think it’s very hot when chicks they act all buff Have you heard about this girl, she acts like she’s the best But I don’t think it’s very cute when chicks they think they’re blessed. Don’t you know? I’m hella fit. Don’t you know? I’m hot as shit. Don’t you know? I’m smart as hell. Don’t you know? I’m beautiful. Here we go, another round, You know I am the Queen Baddest bitch in all the land, And I will reign supreme. Here we go, another round, You know I am the Queen Baddest bitch in all the land, The best you’ve ever seen.

Music Video for Perth Outfit "OPIA" Directed and edited by Johnny Ma. DOP- Marc Finn Lighting- Alaric Leung and Carsten Reimers. Super 8 footage Shot by Johnny Ma and S.P Becker. Colour Grade by James Crannis.

OPIA are a 3 piece progressive rock band from Perth WA. "One Minute Ago" is OPIA's latest single of the forthcoming debut album. Produced and Directed by 'Johnny Ma' @ Good Kid Video Perth WA.

Raps by Mathas Music & Background Vocals by Empty Mixed by Tom Mathieson & Brian Kruger Mastered by William Bowden The Community Records 2014 Filmclip produced by Blue Forest Media From the album Armwrestling Atlas - Coming Soon CREDITS: Director - Aaron McCann Producers - Lauren Cleary and Dominic Pearce Director of Photography - A.J. Coultier Camera Assistants - Joel Crane and Eamon Dimmitt Assistant Director - Lauren Cleary Editor - Dominic Pearce Graphics - Naik and Mathas Make-up - Kate Anderson Scenic Decoration - Rich Hatwell and Mathas Background Projection - Steve Berrick Studio provided by - Johnny Ma Helpers: Melanie Naumoff, Michael Gunther, Bonnie Davies, Nathan Jamieson, Max White, Ofa Fotu, Farren Wood, Seanna Dempsey, Georgia Mathieson --------------------------------------------------- A BIT ABOUT THE SONG: "One day in 2003 i sat by myself on the top deck of a boat on the Hawkesbury River in NSW, after the passing of someone very close to me. I was chain-smoking Marlboro Reds. There was a brief moment of vivid hallucination where for a few minutes it felt like i could see the world's blueprint, as if in wireframe. It was the most calming sensation I have ever experienced. Like a wash of understanding. A moment of intense pain progressed into an affirmation of just how remarkably small i was in context to the universe and how happy i felt that it had even let me grow to be a part of it." - Mathas The instrumental for Stone Cold Sober, originally named "Sometimes the Straightest Route is the Quickest" was produced by Brian Kruger (aka Empty) for a 5 track ep called E M P T Y B A R S Vol.2 you can find here: emptysounds.bandcamp.com LYRICS: I’ve been holdin' off the ache now for years watching their collars pop gossip blabber gods, forever flapping their box. I’m studying their movements with a vitamin D vibrance, imagining how they’d look if they were lying lifeless, but every skerrick of my being hates hate and loathes violence and its an insult to insist when life is time priceless. Back in 03 my planet poked a bit of fun, turned the tragic handle, when half these fucking camels couldn’t even hold a candle to him. Gave me a dead leg. Learnt to let it sink in. Magnetism blinking. Etchasketch on hyper in my head, trying to dry-wretch a mention from the earth of why he ended up dead. Pack of human parasites still clinging to the surface, nurtured little virus on a cell inside the vein humming a resonance I've only found inside an 808. Crushing on my planet’s hum, hand-drumming on it, think I might’ve learnt to understand it some, or something. Nobody’s opus, a buddy moment de-muffled its tongue. Said something… I swear it said something.. Crushing on my planet’s hum, cold-lamping on it, think I might’ve learnt to understand it some, and I was stone cold sober, technicolor cloak, at one with adding to it til my species time to go. That’s my pearly gates mate, strings plucking the plasma, illustrating the universe, dwarfs whatever you're worth. Little and weakly made, either the prick or the lame claim pick of the fetal, planet muzzled in that self-worth bubble. When a nucleus is nutrient, DNA’s a maze, dubious and indescript slowly come of age, in that indefinite certain, clapping through the curtain close, 10 years to the marker now I first stared at its code. I saw the hills as mesh and the river a wire-frame, its respiratory system huffing waves to wake and break. That memory is interlinked with smoke, a bit of heartache, me and Norah Jones wailing top deck of the boat, with a soaked packet of Marlboro red top pocket of coat willingly looking in limited intervals into the riff of the keynote. I was 19, red gum sapping out the opens, lucid, hallucinating, understanding motion. Crushing on my planet’s hum, hand-drumming on it, think I might’ve learnt to understand it some, or something. Nobody’s opus, a buddy moment de-muffled its tongue. Said something… I swear it said something.. Crushing on my planet’s hum, cold-lamping on it, think I might’ve learnt to understand it some, and I was stone cold sober, technicolor cloak, pulsing off the orb hum, encompassing its glow, at one with adding to it til my species time to go. And I'm ok with that.

The Stoops: Middle Of A Riot The first single from Milk & Bread, titled 'Middle of a Riot' is a 'tongue in cheek' song that paints/reflects our modern day 'keyboard warriors'. In fact it hammers them. Being self centred and ignorant are two symptoms of the privileged first-world lifestyle. The song takes our first world problems and jams along to them in such positive fashion that it's like the Western World throwing a summer festival for its own funeral under the magnifying glass of global warming. Written & Recorded by : The Stoops Mixed by: Chu Mastered at: 301 Studios Video Credits: Producer: David Vincent Smith Director: Lauren Brunswick Creative Director: David Vincent Smith Cinematographer: Lewis Potts Edited/Graded by: Lauren Brunswick & David Vincent Smith 1st AD: Brett Dowson 1st AC: Eamon Dimmitt Additional Camera and Lighting Assistants: Cody Cameron Brown & Lenny Rudeberg Production Designer: Olivia Lees Production Assistant: Matt Willemsen Unit: Jakob Hardy Special Thanks: Johnny Ma, Annabelle Fouchard, Miss Tartufo For more info: www.thestoopsofficial.com www.facebook.com/thestoopsofficial www.soundcloud.com/thestoops www.thestoops.bandcamp.com https://twitter.com/stoopfresh

Jacob De Gaye - Good Man Bad Bones (Official Music Video) Copyright Jacob de Gaye 2015 All rights reserved. Unauthorised copying, public performance & broadcasting of this recording is prohibited. Written by Jacob de Gaye Lyrics by Jacob de Gaye Rap lyrics by Cameron de Gaye Produced by Patrick Carre and Jacob de Gaye Recorded and Mixed by Patrick Carre @ Artisan Music: www.artisanmusic.com.au Mastered byJames Newhouse @ Real 2 Reel: www.real2reel.com.au Vocals performed by Jacob de Gaye Rap performed by Cameron de Gaye Guitars performed by Jacob de Gaye Guitar Solo performed by Jacob de Gaye Drums performed by Jacob de Gaye, Patrick Carre and Mitchell J. Benson Keyboards performed by Bradley Green Bass Guitar performed by Samuel Gibson Trombone Performed by Edward Holland Trumpet performed by Laura Halligan Additional Keyboards , effects and percussion performed by Patrick Carre and Jacob de Gaye Directed by Dominic Pearce Produced by Blue Forest Media Cinematography by A.J. Coultier Edited by Dominic Pearce Featuring Janelle Vaccaro 1st Assistant Director: Luna Laure 1st AC / Gaffer: Joel Crane 2nd AC: Vuk Mikic Grip: Bobby Ruckus MUA: Chloe Joy Choreography: Janelle Vaccaro and Jacob de Gaye Shot on RED Special Thanks to: Jonny Ma at Space Jam Studios, Tino Delgacio and Moose Bodycoat at Statewide Staging Systems, Graham Pippard at Instandt Sound and Lighting, Malcolm Clark, Struggles the Van, Location Equipment, Via Luna Pictures www.blueforestmedia.com.au Performers on screen: Lead Vocals and Guitar solo Jacob de Gaye Rapper Cameron de Gaye Dancer/Model Janelle Vaccaro www.janellevaccaro.com Bass Guitar Samuel Gibson Keyboard Bradley Green Drums Mitchell J. Benson Rhythm Guitar Tayo Snowball Trombone Edward Holland Trumpet Laura Halligan

"SIGNS" is the second single of Perth trio OPIA's debut album, due for release in 2015. OPIA's rich tones and multi-dimensional songs seem far larger than the sum of their parts. Signs is awash in delay-soaked guitars and the majestic upper-register of singer Mike Bok. Fronting the powerhouse rhythm section of bassist Dan Zarb and drummer Dain Pattison. Following on from successful debut single One Minute Ago, Signs marks considerable musical growth for Opia, One Minute Ago brought Opia to the Australian airwaves, earning them airplay on triple j, rage and unearthed, as well as the ever-supportive community radio stations. Reviews of the single were unanimously positive, with triple j's Rosie Beaton describing the band's sound as “world class”. Signs is beautifully woven together and presented with such attention to detail and an impressive monument to what the band can accomplish. With two epic songs now released, Opia's debut album can't come soon enough. www.facebook.com/OPIA.band www.triplejunearthed.com/OPIA "SIGNS" was - Recorded & engineered by Adam Round at Electric City Studios - Mixed and Mastered by Forrester Savell - Co-produced by Matt OConnor and Lance Robinson "The A&R Department" OPIA's "SIGNS" Official Music Video... - Produced and Directed by Johnny Ma @ Good Kid Video - Cinematography by Dion Borrett and Daniel Holliday @ 2D Films - Edited and Graded by Kent Hosokawa, - Film and support assistance by Cristina Dias